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Gossamurmur Page 4
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dream double combats solipsism
by providing a second person to serve
working her way out of nothing
as a corroborating authority
but that person is another aspect of the dreamer and does not
combat the logic of solipsism
impossible to surmount
her arm an arc of water air earth fire
face-to-face combat
bootstrap logic? pull her up out of the watery mirror
and we have our magic replications
duplications’ reflections
the wise text says:
sorrow will not bring enlightenment
the sage will try scripture
the sage will try illustration
the sage will transform into a new woman
to mouth these words
I went to play my lute for Decider Vishnu
and found him engaged in erotic play
with wife Lakshmi
and when he saw me he had her vanished
I have conquered illusion
but you can’t say this you can’t say I have conquered illusion
no one, not even the gods
may conquer illusion
I beg you Vishnu show me what illusion is
he took me to a beautiful pond and invited me to bathe in it
I entered the pool as Vishnu instructed and became woman
this is illusion, he said
a master of erotic skills
made love to me night and day
lost all sense of time
drinking wine
rapt in pleasure
twelve years a single moment
I forgot my former body
and life as a sage
eight sons many grandchildren later
I was happy—no—couldn’t name my sorrow
lot of a woman
I bred I bred
estranged not-come-to-joy
reads-many-books
went to know the world as a woman
ask a woman, ask others
women had tenderer thought?
is it not a gentler feeling for the world?
one day an enemy attacked
family all dead I rage wept I fled
lot of a woman they said
weaker weaker woman
Decider Vishnu came to me
why are you so sad?
remember what I said
this is delusion
who are you and whose bodies are these strewn about?
perform the rituals for the dead
you are not what you seem
this is not what it seems
in the allegorical dimension of your struggling text
went to the lake called “Male-Ford”
glanced in, saw a text of light
(pumtirtha)
It said:
You had millions of sons who died in
life
after life
millions of husbands and fathers too
for whom you grieve
it is all a mistake and arises in your own mind as a dream
I entered the ford and instantly became a man
with a lute in my hand
I remembered I was a transformer in the Patriarchy
I sang:
as a woman I experience the misery of worldly existence
as a man I create more suffering
om ah ah
experience in the illusory world is a nightmare from which one wishes to escape
[Preservation metadata is a subset of administrative metadata aimed at supporting the long-term retention of digital objects. It overlaps with technical and administrative metadata, detailing important information about the digital file, including any changes in the file over time and management history. The object meant to be preserved by preservation metadata is the preservation master digital object itself. Preservation metadata need not be created for the Analog object or derivative copies created for access purposes. In the case of complex digital objects, one preservation metadata record will be created to describe the entire complex object.
The management of the full range of metadata is through the Metadata Encoding Transmission Standard which provides a structure for encoding descriptive, structural metadata…etcetera.]
The spectacle under suspicion. The gaze under suspicion. Orality is feminine.
The Deciders abjure feminism.
sorrow enlightens, they say
sorrow knows no boundary
sorrow: an acerbic archival wilderness
sorrow penciled in red
a direction in my book of prayer
apocalyptic vehicle
interstellar vehicle
intertextual
intertidal
intertwined
but I would intervene
and call myself intervenient
an intervenient vehicle
convenient in sorrow
a lurid interruption
someone who lurks
waiting to spring to life
prognostic,
and needing escape
tears that splash and are a running mate in all endeavors
but this illusory world is also sensuous and joyous and intangible
as a woman I drank wine and ate forbidden things
intoxication to distract the Original Anne
a plot on imagination, a romp through time and gender
as a wifeless sage,
or wandering singer who carries a lute
another version:
the sage emerges from the water
on the occasion
of his transformation
from woman
into man
he still holds his woman-hand above the water
it remains the hand of a woman holding a succulent fruit
he dives back into the water immerses his hand
turning into the hand of a man holding a lute
when the sage leaves the world of illusion,
a perishable memory turns a hard enduring lute
who decides reverie in the russet castellum
can force your dreams in their time/space machine
as I went to bathe in a lake I morphed
I came out on the bank as a woman among women
when they asked me who I was I said, woman
I think woman among women
who I am where I come from and how do I have the form of a woman
I have no idea
I left my male form but woman I think woman among women
is deception a pronoun?
Vishnu picked up my lute and went away
I forgot my former body
a king came by he married me
“she whose face is her fortune”
down with kings who decide magic
flavor my desire
a twist where we talk
we joke about language modules
and make love on the road
I could be created out of twigs and dirt
as he puts in the mechanical apparatus
the world is full of Deciders
I’ve always felt and say it such again
the world has to change for true identity (love) to burn
she sent a message to the Base, whatever you do to me know this
I know this from Derrida
Archive is shelter
Archive is the disembodied voice of a palpable consciousness
Archive is a jumbled dream
Archive needs poetry you must never forget
Archive is inscription
Archive is aspiration
Archive tells many stories
I am archon
and a mere inscripted postcard is Archive
when we return to our speech
and start our own country
take this as directive:
memory of an animal is also yours
Archive all opposable thum
bs we have record of
and many wisdom identities
Archive’s murmur circulates around the room
Archive lets originals breathe
you can’t tamper with Archive
it’s a strange cosmology
Archive is antithesis to a war on memory and stealing of poet fire
Archive is the tender footprint
Archive will not tread on the footprints of the most vulnerable
Archive is a trust
let Archive record the names of those going out of this world
Tristan Albatross
all disappeared
all suicided
Archive listens into the margins
Archive is a privileged topology
Archive exists as a map of the future beyond the exigencies of electronic media which has transformed the relative reality of Homo sapiens sapiens
if you are good at this, please memorize
are you good at this?
memorize Archive
Archive could be safe from composite strife
[Gain Intellectual Control of the Collection.
Consider cassette tape life expectancy.
Water pipes run through storage space: materials are housed in a100-year floodplain with environmental swings, no climate control.
Security: multiple keys to storage exist, the space is not secured—walls that leave space at ceiling height can be easily breached.
Digital collections on CDs which are at risk themselves due to disc failure and equipment obsolescence….]
Archive is housed by, and reanimates sentient beings
Archive is nest, is house, is reverie
Archive will hold you
“And the line comes (I swear it) from the breath…”
Archive is aubade, is alba, is Tagelied
is seduction
is Mnemosyne
Archive is dying and Archive is not dying
who lives to push the buttons to install the implants of Archive?
a far agent, a forest, a mountain to climb, an orange sunset, a cloth for the body
strong ropes to circle and carry
dynamite with an App for soil content, an App to read constellations in the sky
moon a fingernail above you is a modest proposal
sometimes a wildebeest on the tundra remembers a former life
and an albatross crossed your shadow at sea one day
Tristan whose name means sadness quested the Grail and drank a love potion
This is the sublimated test of future identity
always felt a brain to be
fluctuating syntagma
a syntactic/semantic processing
semantic as in being brain-and-consciousness-awake
syntax as sister to succession, a superstition
do I have control in scenario? do I love my mission in life?
scenario: where they lock me up and take my poems from me
and make undue mockery and travesty of Original Anne
and control her life span
maybe she’s object of jealousy
open surgery in a theater of observation
scalpel coming down
I feel like the scream of a cyborg
as I watch my archival consciousness threatened
as the spirit struggles for survival
whisper that would cause a drop in the water table
no single river flows to the sea
whisper that traverses the braided river
as a tribal uprising might clash your civilization again
no leisure from the Deciders who take up so much of your attention
getting into the airwaves again
what brain will access that dangerous frequency?
no leisure from deciding
the worth of everyone
the dollar value of intellectual property
try to love within a system
survive the within: of being within system
gap in the charts,
life force dipped down yet still within itself a system
acts of marauding identity theft
will threaten life span of poetry
by gossip you get the story
a cautionary tale, amnesia
include: Lycaenidae
About 6,000 species worldwide
whose members are known as the “gossamer-wing’ed butterflies”
The blues (Polyommatinae)
The coppers (Lycaeninae)
The hairstreaks (Theclinae)
And the harvesters (Miletinae)
all still extant because well hidden in planet-life
Some larva are capable of producing vibrations and low sounds that are transmitted through the substrates they inhabit. They use these sounds to communicate with ants.
Adult individuals often have hairlike tails complete with black-and-white annulated appearance. Many species also have a spot at the base of the tail and some turn around to confuse potential predators from recognizing the “true head” orientation.
Ants have their own systems but receive survival “calls.”
These are signals to be collegial
she thought about her station in life.
did she understand the metaphorical duplicada
and the philosophy as crepuscular which is fragile by definition?
ruse or trick of time to use her body and form as…Poet?
she would visit Chasm Falls
climb East Desolation Peak
she would scout for a safe haven to house all hope and fear
or did she aspire beyond station what she’d been born to…
flicker of it,
“place”
out, out of it
fragility, the joke about past lives
the hunting of the golem, stick and mud effigy
as when she first looked at a corpse
someone she had loved
wanting, watching as his body flamed
to smear ashes over her own body
ashes that were once steady arms
held her fast
sturdy legs of a body
twisted around her
a flame coiled at the center, below
as he enters her
dare speak of a face?
they were exceedingly young
she said, becoming one together
like a cargo cult of magical thinking
dark curls
saliva
l feel like a suttee widow
long hours at the Ganges
looking out on the water
devotees come to bathe
collect the drops of polluted water now
still sacred in the imagination
lineage of sacral tears
thrice toss these oaken ashes in the air…
watch the flames on the ghats
dart like insects to the sky
a night sky this time
smoke coils like dragons,
sea serpents, or seeing the skeleton of a phantasmagorical airship
ascend through clouds
she put the ashes of her mentor in the duplicated river Tirta Gangga
spectacle of death
a phantom skull at the breast
gleam, did she kill her shadow?
polished bone—color of raven’s wings—turned
to blackest coral—at the breast
might still gleam
or the hollow sockets once his grand old poet eyes
wasted in spectral identity?
co-opted in a ghoulish meditation
how an impostor might coalesce
and enter when your mind is weak
turn away from it
but you know
how demons enter
backward
facilitating the extinction
of the Zoe Waterfall Damsel
she might set it down, all extinctions
would they be of any use in her prism
r /> bringing events to order? backward
she saw masses of fabrication in the stories others tell
saw through claims and exaggerations
saw through protests of love, fealty
way a daughter might, skeptic
of “history” might
especially “his” or rather a “his” might
or big sister or mother or “hers”
being ahistorical
see spectacle as separation, spectacle as end of our linguistic aid
a “mistress narrative,” you might say, perhaps preferable
subtle persuasive
insistently oral
most melodious tone
studied other languages on foreign language tapes
spent time in the prison library
an auspicious time
up against uncertain worlds
shrinking
where human is finite, an invention of recent date
time that we say our fantasies are controlled by propaganda
born too into the middle of a century before
we are “gone”
or when the mores changed and
favored women who were set up against each other in jealous rage
that too passes…will pass
may allegory speak of unconditional love?
I want to amuse you, my doubles, hasty beloveds
come wash all your thoughts upon me, a seed-vault sanctuary on a remote sea
a living casket Porsephina keeps of Archive
old romances, antic lore, and scrutiny take over,
considered the centuries she had been born to cross
in crossing of millennium
twin broken vertebrae
interminable time, it seemed
growing
to archonhood…
what she was willing to part with
let go of
who lets go of
shed more skins
why she would go out as one one day
go out as another one the next
looking into the darkness of her own time
with congruent vision